Weekend Reading List: Fan Fiction and Fridging Rue

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Image from bluemonkeywriting.tumblr.com

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Special Snowflakes: 5 Great Winter-Themed Movie Characters

Sally

Sally, The Nightmare Before Christmas

Rag doll Sally has it rough. She’s an indentured servant, is desperately in love with the king of Halloween, and keeps—literally—falling apart at the seams. But despite all her tough breaks, Sally remains a lone voice of reason throughout the film, the only person in Halloween Town who sees how terrible the whole let’s-do-Christmas-this-year notion really is. Ever resourceful, Sally has an arsenal of tools to help her escape her evil scientist creator, and, in an attempt to rescue Sandy Claws Santa Claus, faces down the Oogie Boogie Man solo. She never gives up, and in the end gets the recognition (not to mention freedom and love) she so deserves.

Hermey

Hermey, Rudolph the Red Nosed Reindeer

All Hermey wants to do is open up a dental practice, is that too much to ask? Apparently so in the North Pole, where career options outside of toymaker seem pretty thin on the ground for those of the Elvish persuasion. Undeterred, Hermey runs away, joins forces with some fellow outcasts, sings some greats songs, defeats the abominable snow monster, gives unwanted toys a loving home, and saves Christmas. All in a day’s work for the Elf who won the Santa’s Werkshop Best Hair Award five years running.

Cindy

Cindy Lou Who, How the Grinch Stole Christmas

How can you not love that widdle face!? Cindy Lou Who, the smallest Who in Whoville, wants nothing more than to love Christmas in peace. She’s the only person who challenges the Grinch while he’s in full destroy-all-that-is-good-in-the-world mode, and it’s her love of the holiday, combined with that of the other Whos, that ends up melting the Grinch’s prickly exterior. She even shares her Roast Beast with the dog, because she is goodness incarnate.

Lucy

Lucy Pevensie, The Lion, the Witch, and the Wardrobe

It takes a big person to stick by your siblings when they don’t believe you (and, in the case of that dirtbag Edmund, outright antagonize you), but though Lucy is small in stature, she is definitely mighty. The first to wander through the wardrobe into the land of Narnia, Lucy befriends satyrs, beavers, God-lions, and Father Christmas before defeating the White Witch (another wonderful character who, who knows, might make it into the BAMFiles one of these days), becoming queen, and ushering in a Golden Age that will last for her entire reign. All hail Queen Lucy the Valiant!

Eli

Eli, Let the Right One In (Låt den rätte komma in)

Not your typical vampire, pint-sized Eli moves to a frozen Stockholm neighbourhood with her adult protector, quickly befriending a lonely, bullied boy despite her better judgement. A natural predator, Eli doesn’t want to hurt those close to her, but has come to terms with her need to kill. She inspires devotion, not just from her father figure who sacrifices everything for her safety, but also from Oskar, the boy whom Eli saves in a final bloody showdown. It’s a beautiful, heartbreaking friendship that Eli is determined to protect, even going against her own instincts to do so.

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Weekend Reading List: Harassment and Hot Elf Action!

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Image from Ginger Haze’s The Broship of the Ring series.

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With this ring: Why I love Saga so much

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All it takes is a quick perusal of this blog to know that I want more diversity in the relationships that play out in our books and on our screens. I want queer relationships, ace relationships, poly relationships, strong and long-lasting friendships, family relationships, and all the different and wonderful permutations in between.

I want more than just your typical boy-meets-girl love story, both because there’s so much more out there, and because, honestly, heterosexual romantic relationships are kind of old hat by now. I know a love story is supposed to be eternal, but at some point, haven’t we explored all the nuances and subtleties of this particular kind of interaction? What’s left to talk about?

But here’s the thing: We actually do need to see more romantic, hetero love stories, because whenever I see one that’s totally equitable, I’m still surprised. We need love where the woman is an active participant, where the man isn’t automatically the decision-maker, where both partners have personalities outside of their relationship, and tired, gendered stereotypes aren’t played out ad nauseum. And that’s where Saga comes in.

The story, by Brian K. Vaughan and Fiona Staples for Image Comics, is as strange as it is delightful. To wit: There are outsourced wars, ghost babysitters, television sex scenes (that’s sex between televisions), a wooden spaceship, an infant narrator, and Lying Cat, my new favourite sidekick. But what really sets it apart is the relationship between protagonists Alana and Marko.

Their relationship is one of complete equals. She’s the one who broke him out of jail. He’s the pacifist. They’re both ex-military on the run from their home worlds, trying to start a family. They’re both incredibly capable, and bring tangible assets to the relationship. A relationship that, let’s be honest, needs all the help it can get.

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Normally I wouldn’t spend time championing a relationship that fits so nicely into the conservative, domestic idea of wedding-and-a-baby, not because there’s anything inherently wrong with it, but because there are more than enough people placing tremendous value on those particular milestones already. But when I try to think of straight couples who are evenly matched in terms of their usefulness to the story, the list is awfully short (in fact, off the top of my head, it’s basically just Zoe and Wash). We need more power couples challenging our preconceived ideas about heterosexual relationships. We need more Alanas and Markos.

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Weekend Reading List: Boys Clubs and Brain Scoops

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Image: “Girl with Balloon,” Banksy.

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BAMFiles: Kara “Starbuck” Thrace

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So. You all knew Battlestar Galactica‘s Starbuck was going to make an appearance here at some point, right?

Of course she was. Why would hot-headed, hard-headed, best-damn-pilot-in-the-fleet Starbuck not be on this list?

I love everything about her. I love that she’s tough as nails, but has her vulnerabilities. I love that after crash landing on a deserted planet, she can crawl into a Cylon and jumpstart its guts/engine to save herself, but still feels tremendous guilt for past mistakes. I love how she is unquestionably the most talented viper pilot, and never has to prove it. I love her character arc from chaotic hot mess to (debatable) saviour of humanity

She deals with psychological abuse, having her organs harvested, and possibly being a Cylon and/or an angel of death, and somehow, somehow, manages to come out on top.

Is she perfect? Absolutely not. But if anything, Starbuck’s flaws made her more appealing. She’s cocky? Well, she’s got the skills to back it up. She’s one hundred per cent self-destructive and emotionally unavailable? Well, it makes sense for an army brat with an abusive mother to grow up that way. She drinks and smokes and brawls too much? Well, it’s a matter of opinion whether or not that’s actually a bad thing. She’s got a wicked temper? …You got me on that one, but in a show with a lot of emotional bottle-uppers, Starbuck’s blowups can actually be a breath of fresh air.

Basically, nothing you can say about her is going to make me dislike her.

She’s a unique animal, the rare female anti-hero, and it bears mentioning that the original series’ Starbuck was male. There was actually quite a lot of push back against the new, gender-bent version but, as The Mary Sue puts it, the switch ended up being a superb idea:

“The fact that she threw so many gender stereotypes out the window as her role progressed makes the change an even more brilliant idea. The original Starbuck was a cigar-smoking, sex-loving, alcohol-pounding ruffian with an innate talent for flight. And so was the female Starbuck. Why change it? This was a character who never questioned himself, was so (dare I say it) cocksure — why shouldn’t she be the same exact way? She was, and it fracking paid off.”

So say we all.

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Top image is part of Spencer Salberg‘s Strong Female Characters series.

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Weekend Reading List: Movies, Mockingjays, and Metroid

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+1 to Diplomacy: Pronouns in RPG Manuals

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I unfortunately will have to keep this week’s post short, because these last few days I’ve been pretty busy working. (In this case “working” is code for “starting a D&D campaign, creating my new character, and boning up on the backstory.”) (Oh, and my character is a Dragonborn fighter, nbd.) Despite my preoccupation, I did want to write a quick word about the game manuals I’ve had my nose stuck in for the past few days.

It may be because I spend the overwhelming majority of my time with words, but I always notice how the manuals themselves are written. Are they clear and easy to understand? Does the prose really need to be that purple? And, often, what pronouns are they using?

Most might not find that last question particularly compelling, but it’s something I always seem to focus on. Though my (admittedly recent) experiences with table top role playing games have been overwhelmingly positive, it’s not lost on me that that was never a guarantee. So when I’m scouring page after page, trying to figure out exactly how I’m going to deal with an oncoming horde of yetis, I notice when examples use “she” or even “he or she” to identify the player. (Fun fact: “Yeti” is derived from the Tibetan word for “rock bear.” The more you know.)

It’s a small gesture, but in an area of geekdom that still skews so heavily male, it means the world to feel included in such an official way, to feel like you really belong at the table, so to speak. And I’m definitely not the only one who values the inclusion of women in game literature. Over at Bitch, Lillian Cohen-Moore writes about how White Wolf Publishing made her feel like a legitimate part of their world in her great series Save vs. Sexism:

“I started to actually read the games put out by White Wolf a few years later, when I was 12, [and] being given a game book to read was a big deal for me. I was playing in an environment that trusted me to be mature, to ask questions, and to study up on my own. I quickly grew to feel that it was okay to be a girl and play White Wolf games. As an adult, I have a vocabulary for why I had that feeling… White Wolf books have women in their examples.”

The manuals I’ve come across haven’t been perfect, and I do wish they wouldn’t depend so heavily on such a strict gender binary, but I’ve got to give credit where credit is due. For normalizing my presence, for not making me out to be the exception rather than the rule, I’d like to offer D&D publisher Wizards of the Coast some heartfelt congratulations.

Top image from Image Comics’ Rat Queens.

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Weekend Reading List: Neville Longbottom and lots of videos

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BAMFiles: Velma Dinkley

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“Velma,” by Yui Martinez

Anyone who’s kept up with my Montreal Comic Con experience (which is everyone, right?) knows that I’m a big Velma fan. I love how talented at mystery-solving she is. I love how she never really seeks out the spotlight. I love that she is flawlessly competent at her job (I’ll forgive her constant losing-her-glasses-and-feeling-around-for-them routine, because I know that feel).

Basically, I could talk about Velma all day, and I shouldn’t be the only one. Everyone should love Velma. Velma had her shit together.

I mean, why on Earth was Fred the leader? You’d think the kid who finds clues, uncovers plots, and unmasks bad guys would be the natural choice. But no. No one ever seemed to appreciate Velma, even though she had her amazing catch phrase (all heroes should have amazing catch phrases).

Though Scooby-Doo‘s sexy lady-smart lady dichotomy was undoubtedly absurd (and even the most recent 2010 reboot fell prey to the trope), I’ll always have a soft spot for “the brains” of any group. Weirdly, Velma’s undergone a bit of a resurgence in popularity. She’s now the poster girl for the “sexy nerd” (it took me a really long  time to find a non-pinupy illustration of her on Tumblr, for example). But regardless of whether she’s being overlooked in favour of Daphne, or being hailed as a sex symbol in her own right, Velma stands out as a character who always had a plan, always had an explanation, and has been kicking ass since 1969.

Velma forever. Velma for president.

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“We’ve got some work to do now,” by Travis Pitts

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